Search Results

This paper presents a methodology for accurately representing dawn and dusk lighting conditions (twilight) through photographs and video recordings. Attempting to generate calibrated photographs and video during twilight conditions can be difficult, since the time available to capture the light changes rapidly over time. In contrast, during nighttime conditions, when the sun is no longer contributing light directly or indirectly through the sky dome, matching a specific time of night is not as relevant, as man-made lights are the dominate source of illumination. Thus, the initial setup, calibration and collection of calibrated video, when it is dark, is not under a time constraint, but during twilight conditions the time frame may be narrow. This paper applies existing methods for capturing calibrated footage at night but develops a method for adjusting the footage in the event matching an exact time during twilight is necessary.

Forensic disciplines are called upon to locate evidence from a single camera or static video camera, and both the angle of incidence and resolution can limit the accuracy of single image photogrammetry. This research compares a baseline of known 3D data points representing evidence locations to evidence locations determined through single image photogrammetry and evaluates the effect that object resolution (measured in pixels), and angle of incidence has on accuracy. Solutions achieved using an automated process where a camera match alignment is calculated from common points in the 2D imagery and the 3D environment, were compared to solutions achieved in a more manual method by iteratively adjusting the camera’s position, orientation, and field-of-view until an alignment is achieved. This research independently utilizes both methods to achieve photogrammetry solutions and to locate objects within a 3D environment.

In 1980, research by Thebert introduced the use of photography equipment and transparencies for onsite reverse camera projection photogrammetry [1]. This method involved taking a film photograph through the development process and creating a reduced size transparency to insert into the cameras viewfinder. The photographer was then able to see both the image contained on the transparency, as well as the actual scene directly through the cameras viewfinder. By properly matching the physical orientation and positioning of the camera it was possible to visually align the image on the image on the transparency to the physical world as viewed through the camera. The result was a solution for where the original camera would have been located when the photograph was taken. With the original camera reverse-located, any evidence in the transparency that is no longer present at the site could then be replaced to match the evidences location in the transparency.