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In this paper, an analytical procedure for prediction of shell radiated noise of air induction systems (AIS) due to engine acoustic excitation, without a prototype and physical measurement, is presented. A set of modeling and simulation techniques are introduced to address the challenges to the analytical radiated noise prediction of AIS products. A filter seal model is developed to simulate the unique nonlinear stiffness and damping properties of air cleaner boxes. A finite element model (FEM) of the AIS assembly is established by incorporating the AIS structure, the proposed filter seal model and its acoustic cavity model. The coupled acoustic-structural FEM of the AIS assembly is then employed to compute the velocity frequency response of the AIS structure with respect to the air-borne acoustic excitations.

Past and current practice in this industry for measuring individual loudspeaker drive units has included great freedom in choice of chamber type and baffling. Many of these methods do not yield the true acoustical response of the loudspeaker free from acoustical artifacts. In fact, international loudspeaker measurement standards and many carmaker specifications allow test set-ups that significantly mask the true response of the loudspeaker. This paper is intended to drive awareness of this issue in the industry in an effort to promote a new standard for measurement.

Reliable prediction of the radiated noise due to the air pressure pulsation inside air-intake manifolds (AIM) is of significant interest in the automotive industry. A practical methodology to model plastic AIMs and a prediction process to compute the radiated noise are presented in this paper. The measured pressure at the engine inlet valve of an AIM is applied as excitation on an acoustic boundary element model of the AIM in order to perform a frequency response analysis. The measured air pressure pulsation is obtained in the crank-angle domain. This pressure is read into MATLAB and transformed into the frequency domain using the fast Fourier transform. The normal modes of the structure are computed in ABAQUS and a coupled analysis in SYSNOISE is launched to couple the boundary element model and the finite element model of the structure. The computed surface vibration constitutes the excitation for an acoustic uncoupled boundary element analysis.

Induction noise, which radiates from the open end of the engine air induction system, can be of significant importance in reducing vehicle interior noise and tuning the interior sound to meet customer expectations. This makes understanding the source noise critical to the development of the air induction system and the vehicle interior sound quality. Given the ever-decreasing development times, it is highly desirable to use computer-aided engineering (CAE) tools to accelerate this process. Many tools are available to simulate induction noise or, more generally, duct acoustics. The tools vary in degrees of complexity and inherent assumptions. Three-dimensional tools will account for the most general of geometries. However, it is also possible to model the duct acoustics with quasi-three-dimensional or one-dimensional tools, which may be faster as well.

Three dimensional acoustic entertainment enables the listener to experience sounds emanating from all around them, rather than being limited to the space between a pair of stereo speakers. It provides the artist with an enhanced sonic pallet to place sound sources in three dimensional space, as well as potential for a more realistic music reproduction experience. With the popularity of the Digital Versatile Disc (DVD), the technology successfully migrated from the movie theater into the “home theater”. The multichannel replacements for the audio CD (DVD-Audio and Super Audio CD) are enhancing the advancement into the automotive space. Automotive interiors are readymade for multichannel reproduction, but the automotive environment offers some challenges as well. This paper will discuss the market and technical potential for automotive applications of three dimensional sound, matters to take into account, media choices, distribution considerations and a look toward the future.