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The development of new design tools to predict the vibro-acoustic behavior within the vehicle development process is of essential importance to achieve better products in an ever shorter timeframe. In this paper, an energy flow post-processing tool for structural dynamic analysis is presented. The method is based on the conversion of conventional finite element (FE) results into energy quantities corresponding with each of the vehicle subcomponents. Based on the global dynamic system behavior and local subcomponent descriptions, one can efficiently evaluate the energy distribution and analyze the vibro-acoustic behavior in complex structures. By using energy as a response variable, instead of conventional design variables as pressure or velocity, one can obtain important information regarding the understanding of the vibro-acoustic behavior of the system.

The pressure on development cycles in the automotive industry forces the acoustical engineers to create awareness of sound quality in the early stages of development, perhaps even before a physical prototype is available. Currently, designers have few tools to help them listen to their “virtual” models. For the design of a synthesis platform of in-vehicle binaural sound, the sound should be modeled with almost identical sound quality perception. A concept is presented where the total sound of a vehicle is split in a number of components, each with its own sound characteristics. These characteristics are described in a signal model that allows the analysis of an existing sound into a limited number of signal components: orders-frequency spectra, time envelopes and time recordings.

In the eighties, the main concern in the automotive industry from a designer's standpoint was a level issue. In the nineties, the market has put more stringent requirements on the automotive industry with respect to noise in general and psychoacoustics. The governments have imposed lower limits with respect to pass-by noise standards. Customers are spending more time in their car than in the past and are demanding acoustical comfort. All of this is leading to an environment where a sound quality system is becoming a daily tool in the design and trouble-shooting world. This paper describes what should be looked for in a sound, how to quantify these properties and what tools are needed. These steps are then applied in a case study.